Tad carpenter article8/19/2023 "Silent Music and Invisible Art." Natural History 87(5): 90-99. "The Tribal Terror of Self-Awareness." In Principles of Visual Anthropology, 451-461. Oh, What a Blow That Phantom Gave Me! New York: Holt, Rinehart, and Winston. The Story of Comock the Eskimo, as told to Robert Flaherty. Explorations in Communication: An Anthology. "Ohnainewk, Eskimo Hunter." In In The Company of Man: Twenty Portraits by Anthropologists, 417-426. Dent (distributed by New Directions, New York). "The New Languages." Chicago Review 10(1): 46-52. "Space Concepts of the Aivilik Eskimos." Explorations 5: 131-145/ 1956. "Witch-fear among the Aivilik Eskimos." American Journal of Psychiatry 110(3): 194-199. It was later published in book form under Carpenter's name, with the title They Became What They Beheld (1970). The article published as "Fashion is Language" in Harper's Bazaar under McLuhan's name (1968) was actually written by Carpenter. During this period, Carpenter worked with McLuhan on the latter's seminal book Understanding Media: The Extensions of Man (1964). There, he collaborated with Bess Lomax Hawes and other colleagues in the production of several ethnographic films, including Georgia Sea Island Singers about Gullah (or Geechee) songs and dances. In 1957, Carpenter was the founding chair in the interdisciplinary program "Anthropology and Art" at San Fernando Valley State College (now California State University, Northridge). Carpenter and McLuhan's partnership resulted in the Seminar on Culture and Communication (1953-1959) and the journal series Explorations. Together, they received a Ford Foundation grant (1953-1955) for an interdisciplinary media research project into the impact of mass communications and mass media on culture change. This material consists of research reprints and archival reference photocopies and photographic prints from various repositories.Īlso in the 1950s, Carpenter began a working relationship with media theorist Marshall McLuhan. A portion of the material collected here consist of consolidated research into specific topics, gathered from archival repositories, museums, correspondence, and published works. Additional materials include books and book chapters journal copies and journal excerpts magazine, newspaper, and article clippings and excerpts museum and gallery catalogues, brochures, and guides pamphlets and reprints. Materials in this collection include artifact and burial records correspondence drawings and illustrations essays interviews and oral histories inventories and catalogues manuscripts and drafts, and fragments of drafts maps memoranda and meeting minutes notes, notebooks, and data analysis obituaries and memorials photographic prints, slides, and negatives, including personal photographs and portraits proposals and plans for museum exhibits reports resumes and bibliographies reviews and sound recordings on CD-Rs and audio cassettes. The collection also documents Carpenter's correspondence with fellow scholars, ethnographers, filmmakers, and colleagues his published writings and elements of his personal life, such as obituaries and personal photographs. Specific research projects and interests documented are: his 1950s fieldwork among the Aivilik Inuit in the Canadian Arctic as well as his studies into Inuit concepts of space, time, and geography his partnership and collaboration with media theorist Marshall McLuhan and his ethnographic studies of Papua New Guinean tribal communities his early-career archaeological digs at Haudenosaunee (Iroquois) burial mounds in Sugar Run, Pennsylvania, as well as later archaeological interest in Arctic peoples, Siberia, and the Norwegian artifact dubbed the "Norse Penny" his reflections on the disciplines of anthropology and media studies his editing and completion of the work of art historian Carl Schuster at the Museum der Kulturen (Museum of Ethnology) in Basel, Switzerland his editing of The Story of Comock the Eskimo, as told to Robert Flaherty and his museum exhibitions compiled on the topics of surrealist and tribal art. The papers of Edmund Carpenter, 1940-2011, document the research interests and projects undertaken by Carpenter in the fields of cultural anthropology, ethnographic filmmaking, media theory, archaeology, and indigenous art.
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